b. ca. 1499, Amsterdam, d. ca. 1555, Amsterdam Dutch printmaker, painter and cartographer, maternal grandson of JACOB CORNELISZ. VAN OOSTSANEN. He was the dominant figure in the creation of north Netherlandish woodcuts from the mid-1530s until his death. His monogram, which combines the initials 'C' and 'T' with the staff and bell of St Anthony, was probably inspired by his father's first name. The greater part of his career was apparently spent in his native Amsterdam, where he probably trained with his grandfather.  Related Paintings of ANTHONISZ Cornelis :. | pa vag till hundturken | Nativity ery | Portrait of Christina Elisabeth Hjorth | The Chess Game | Portrait of Samuel Taylor Coleridge |
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Julio Romero de Torres
was a Spanish painter. He was born and died in Cerdoba, Spain, where he lived most of his life. His father was the famous painter Rafael Romero Barros and his mother was Rosario de Torres Delgado. Julio learned about art from his father who was the director, curator and founder of Cerdoba's Museo Provincial de Bellas Artes and an impressionist painter. He took an interest in art at a young age and started studying at the School of Fine Arts when he was 10. He went to Madrid to work and study in 1906. He also traveled all over Europe to study and he picked up a symbolist style, for which he is best known. A museum dedicated to the work of de Torres is situated at Plaza del Potro 1 Cordoba 14002. He spent most of his life living in Cerdoba and Madrid and both places had influences on his paintings. He combined many different styles when he painted because he had many different influences including realism, which was a popular style at that time and impressionism, which he picked up from living in Cerdoba and from his father. While in Cerdoba he became part of the late 19th century intellectual movement that was based on the Royal Academy of Science, Arts and Literature. Julio Romero also won many awards in his lifetime. In 1895 he won an honorable mention at the National Exhibition and later won third place in 1899 and 1904. El Retablo del Amor by Julio Romero de Torres, painted in 1910.In 1914 he relocates to Madrid, where he makes contact with the intellectual and artistic environment of the time together with his brother Enrique. He became a regular at the cafe Nuevo Levante and his paintings began to reflect the philosophical currents of the times, represented by such writers of the times as Ramen del Valle-Inclen and Ruben Dareo. When the war broke out in 1914 Julio Romero fought for the allies as a pilot
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Baccio Bandinelli
(17 October 1493 - shortly before 7 February 1560), was a Renaissance Italian sculptor, draughtsman and painter. Bandinelli was the son of a prominent Florentine goldsmith, and first apprenticed in his shop. As a boy, he was apprenticed under Giovanni Francesco Rustici, a sculptor friend of Leonardo da Vinci. Among his earliest works was a Saint Jerome in wax, made for Giuliano de' Medici, identified as Bandinelli's by John Pope-Hennessy Giorgio Vasari, a former pupil in Bandinelli's workshop, claimed Bandinelli was driven by jealousy of Benvenuto Cellini and Michelangelo; and recounts that: